gibisoma
gibisoma
Jan Harmensz Muller
Apollo
Abraham Janssens van Nuyssen (ca. 1573/1574 – 1632)
Cephalus and Procris, c. 1610-20
Domenico Zampieri, detto il Domenichino (1581–1641)
The Cuman Sybil, 1610
Rome, Borghese Gallery
Simone Cantarini (1612-1648)
Sheet with studies
Carnelian ring stone
Portraits of Septimius Severus, Julia Domna, Caracalla and Geta
New York, Metropolitan Museum of Art
Gilded bronze statue of Hercules, 2nd C BCE. 240 cm. (detail)
Musei Capitolini, Rome
Provenance: Rome, Forum Boarium (15th century)
Gilded bronze statue of Hercules, 2nd C BCE. 240 cm. (detail)
Musei Capitolini, Rome
Provenance: Rome, Forum Boarium (15th century)
Claude Monet (1840-1926)
Nymphéas, 1905
Private Collection
“The sheer beauty of the paintings in the Nymphéas series make us forget that in 1905, these works were a radical departure from all traditional notions of landscape painting. Monet had traded his ordered views of the lily pond and its distant banks for close-up, destabilized depictions of the water surface itself — a decision that allowed him to introduce a near-infinite variety of shifting forms and plays of light into his paintings. This daring move established Monet beyond any doubt as the most innovative landscape painter of his day,” noted Brooke Lampley, Head of Impressionist and Modern Art at Christie’s New York.
(link)
Annibale Carracci (1560-1609)
Atlas, c.1599-1600
Charcoal and chalk on paper
Paris, Louvre
Gold Orphic Prayer Sheet
Greece, c.350-300 BC

Found folded in with the ashes of the deceased in a bronze cinerary urn, thislamella or gold sheet with its engraved inscription provides instructions about the path to be followed in the underworld in order to ensure salvation. Gold lamellae are quite rare. This example, said to have been found in Thessaly in northern Greece, gives a condensed version of the standard text. The dead soul is thirsty. It is guided to the proper spring. The soul is asked about its origin and replies with the formula of salvation, stressing its half-terrestrial, half-celestial origin. Beginning in the 500s B.C., various religions sprang up in Greece of a type called mystery religions. These new cults often promised people a hope of a better afterlife, which in traditional Greek religion was quite grim. Linked with the beliefs of Orphism, this lamella provided the key for the deceased to reclaim the tiny divine spark that existed in mortals and to pass a happy afterlife among the heroes.
Getty Museum
David Jagger (1891 - 1956)
Lady with Fan
Michelangelo Merisi, detto il Caravaggio (1571-1610)
The Inspiration of Saint Matthew, 1602 (detail)
Rome, San Luigi dei Francesi
Lorenzo Lotto (c. 1480-1556) 
Allegory of Virtue and Vice, 1505
Washington, National Gallery of Art
Giovanni Battista Cima da Conegliano (c. 1459 – c. 1517)
Christ Crowned with Thorns, c. 1510
London, National Gallery
Vincent van Gogh (1853-1890)
Self-Portrait in Front of the Easel, 1888
Amsterdam, Van Gogh Museum